I've spent over a decade as Head Engineer at Kaleidoscope Sound, working with artists across just about every genre you can think of — from The Pretty Reckless and American Football to Eddie Palmieri, Alessia Cara, and Streetlight Manifesto. Most recently, that work led to a 2026 Latin Grammy for my work with Cesar Orozco. What keeps me coming back to the studio every day is simple: I love helping artists sound like the best version of themselves.

I'm fluent in both analog and digital workflows, so wherever you're recording and whatever gear you're working with, I'll feel right at home. My approach is organic and largely hands-off — I'm here to serve the music, not impose on it. Whether you're tracking your first single or finishing an album, I'll bring the same care and attention to every session.